By Andrzej Piotrowski
In structure of suggestion, Andrzej Piotrowski maps and conceptually explores fabric practices of the previous, displaying how actual artifacts and visible environments take place culturally rooted modes of inspiration and perform the main nuanced methods of negotiations and ideological exchanges. in line with Piotrowski, fabric buildings permit humans to imagine in new ways—distill rising or modify current worldviews—before phrases can stabilize them as traditional narratives. Combining layout pondering with educational tools of inquiry, Piotrowski lines historical to fashionable architectural histories and—through severe readings of decide on buildings—examines the position of nonverbal exchanges within the improvement of an collected Western identification. in contrast to reports that set up round the conventional scheme of periodization in background, structure of suggestion makes use of an interdisciplinary method of examine a large spectrum of cultural productions in numerous occasions and places. Operating from the statement that constructions are the main everlasting checklist of unself-conscious ideals and attitudes, it discusses Byzantium and the West after iconoclasm, the conquest and colonization of Mesoamerica, the Reformation and Counter-Reformation in japanese Europe, the increase of the tradition of consumerism in Victorian England, and excessive Modernism as its final result. via relocating past the idea that old buildings replicate transcendental values and deterministic legislation of physics or economic climate or were formed through self-conscious contributors, Piotrowski demanding situations the normal wisdom of what structure is and will be.
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Additional resources for Architecture of Thought
I believe that this double quality of the interior of Hosios Loukas—being physically real and physically impossible—is a nonfigurative representation of the symbolic reality that Pseudo-Dionysius or John of Damascus discussed. The landscape-like exterior, the most explicitly corporeal shell, was necessary to contain or circumscribe nonfigurative representations. In this way, Byzantine religious architecture reached its post-iconoclastic specificity. Churches like the Katholikon moved beyond politically polarized issues of iconoclasm.
Although architecture and the visual arts played a crucial role in these interactions, their cultural function in Mesoamerica remains insufficiently explored. The White and Black Legends of the Conquest Those issues surface in some examples of historical and contemporary texts. The white legend—the history of good intentions—and the black legend—the history of bad intentions and even worse actions—can be traced back to the time when two different views of the conquest competed for the attention of the king of Spain.
Suger’s ideas resonated with those of Corpus Areopagiticum in a very particular way. The remodeling of the abbey of Saint-Denis was based on a Byzantine-inspired fascination with the symbolic function of light, color, and the visual attributes of materials. The way Suger talks about visual experiences in the church leaves no doubt that he engaged with 24 Architecture and Medieval Modalities of Thought the Dionysian notion of symbolic potency in visual and material phenomena. 90 This might have been a description of the spiritual experience of a person in the interior of the Katholikon.